Francois Boucher Adoration of the Shepherds painting

Francois Boucher Adoration of the Shepherds paintingGustave Courbet The Origin of the World paintingGustave Courbet Plage de Normandie painting
between the apex and nadir of each pattern increasing radically, until it was reminiscent of the patterns produced on a seismograph during a major earthquake.“At some points you might accurately say he appears ‘disturbed,’ at others ‘excited,’ and in this passage you’re watching now, I’d say without any concern about being melodramatic, anxiety.”The serpent-voiced wind, singing in a language of hiss-shriek-moan, and the claw-tap of rain on accompany the jagged images on the screen.[362] “Although the overall pattern remains one of conscious anxiety,” Dr. O’Brien continued, “within it are these irregular subsets of higher spikes, each followed by a subset of lower spikes.”He pointed at the screen, calling examples to Ethan’s attention.“I see them,” Ethan said. “What do they mean?”“They’re indicative of conversation.”that these are the brain waves of a terrified individual.”“Terrified?”“Thoroughly.”“Nightmare?” Ethan suggested.“A nightmare is just a dream of a darker variety. It can produce radical wave patterns, but they’re nevertheless recognizable as those of a dream. Nothing like this.”O’Brien speeded the flow of data again, forwarding through eight minutes’ worth in a few seconds.When the screen returned to real-time display, Ethan said, “This looks the same ... yet different.”“These are still the beta waves of a conscious person, and I would say this guy is still frightened, although the terror may have declined here to high